Q. My son is a high school senior. Next year he wants to go to community college and live at home (at least that is reasonably affordable) instead of going away to school. He wants to take an expensive major however. Video production. We have been able to save about $5,000 towards his education. We are not wealthy people. The rest will have to come from loans and maybe a grant or scholarship.
We are looking at some "entry level" pro cameras in the $1500-1800 range. That's about 1/3 of our savings for his education.
Models include these:
http://www.bhphotovideo.com/c/product/518555-REG/Sony_HVRHD1000U_HVR_HD1000U_Digital_High_Definition.html
http://www.bhphotovideo.com/c/product/745707-REG/Sony_HXR_MC2000U_HXR_MC2000U_Shoulder_Mount_AVCHD.html
http://www.bhphotovideo.com/c/product/878341-REG/Panasonic_hmc40kit_AG_HMC40_AVCCAM_HD_Camcorder.html
and
http://www.bhphotovideo.com/c/product/749467-REG/Canon_4922B002_XA10_HD_Professional_Camcorder.html
My concern is he starts September 2013 so these products may not even be available by then or others will be available. We hope he graduates May 2015. He tells us when he graduates he will maybe find a freelance job or shoot local cable news, build up some experience, maybe after 2 years go for a B.A. at least part time.
Is anything we buy him in 2013 (summer) going to be any use to him as a working professional in 2015 (summer)? So let's say you are a class of 2012 graduate with an AAS in video production. The camera you purchased in the summer of 2010 when you first started, do you still use it professionally? Can you make anything doing freelance news videos, PR videos or local account commercials with this equipment?
We're going to do everything we can to help him. No doubt he will still be living at home in the summer of 2015. By then he's going to have a student loan to pay off. We have a 2005 Hyundai Accent that we are going to give him for college. I hope that thing still runs when it is 10 years old and he isn't making car payments on top of that. The thing has 120,000 miles on it but runs really well. I just fear when he graduates he's going to be in deep debt and have limited employment. I may be wrong. What do you think? Thanks.
We are looking at some "entry level" pro cameras in the $1500-1800 range. That's about 1/3 of our savings for his education.
Models include these:
http://www.bhphotovideo.com/c/product/518555-REG/Sony_HVRHD1000U_HVR_HD1000U_Digital_High_Definition.html
http://www.bhphotovideo.com/c/product/745707-REG/Sony_HXR_MC2000U_HXR_MC2000U_Shoulder_Mount_AVCHD.html
http://www.bhphotovideo.com/c/product/878341-REG/Panasonic_hmc40kit_AG_HMC40_AVCCAM_HD_Camcorder.html
and
http://www.bhphotovideo.com/c/product/749467-REG/Canon_4922B002_XA10_HD_Professional_Camcorder.html
My concern is he starts September 2013 so these products may not even be available by then or others will be available. We hope he graduates May 2015. He tells us when he graduates he will maybe find a freelance job or shoot local cable news, build up some experience, maybe after 2 years go for a B.A. at least part time.
Is anything we buy him in 2013 (summer) going to be any use to him as a working professional in 2015 (summer)? So let's say you are a class of 2012 graduate with an AAS in video production. The camera you purchased in the summer of 2010 when you first started, do you still use it professionally? Can you make anything doing freelance news videos, PR videos or local account commercials with this equipment?
We're going to do everything we can to help him. No doubt he will still be living at home in the summer of 2015. By then he's going to have a student loan to pay off. We have a 2005 Hyundai Accent that we are going to give him for college. I hope that thing still runs when it is 10 years old and he isn't making car payments on top of that. The thing has 120,000 miles on it but runs really well. I just fear when he graduates he's going to be in deep debt and have limited employment. I may be wrong. What do you think? Thanks.
A. Hi "Upwardly Mobile":
Fellow Contributor "L" covered most of the bases quite well, but the only point he didn't underscore is that MOST good video & film production programs at community colleges HAVE the cameras, lights, mikes, tripods, and other gear that the students will learn on & use.
When I went to a local (but nationally prominent) university with a Broadcast/Film Dept., portable video was still fairly new, but all the film cameras, tripods, & light kits were supplied by the Department for students to "check out" as-needed for class projects.
And most video production students start out with Studio Production techniques (where it's easier for groups to learn 3-point lighting, camera setup & tripod/dolly operation, shot composition, audio techniques & mixing, etc.). No need for portable field gear there.
For field production & Electronic News Gathering, a good college will have a fair number of camcorders for students to use & check out (if needed for outside-of-class projects).
The same is true for Editing Software & computer workstations. Some college programs might be economizing and making students supply their own laptops for this, but all the major software companies offer Academic Editions of their normally-expensive edit suites at discounted prices. And of course, nowadays, apps like iMovie (Mac) and Movie Maker (PC) come "free" as part of the operating system and can accomplish what older (and expensive) software used to do, as far as basic editing.
As "L" mentioned, do a bit of "homework" yourself by contacting the community college's department head & instructors for your son's chosen major. Tour the facilities (studio and edit suites) and ask about the "equipment room" for student project gear. See what textbooks (a major expense) are required, and whether computer/laptop & software expense will be part of what's expected of your son. Only if there's little-or-no camcorder gear (or no hands-on studio cameras) would I recommend buying anything like the models from B+H that you listed.
Almost every cable TV & freelance video job I've had over the past 30 years has "supplied" (rented or company-owned) the cameras & grip gear I needed. I bring my own gear only when it's a "favor" or when what I have is better-suited to the task, or they want a "director with gear". My point being, your son doesn't need to own =any= camera gear to make a living freelancing. A good camera operator can stay busy in almost any part of the country, with just his/her skills. (Same for sound mixers & boom/wireless mike operators.)
hope this helps, and hope it saves you some money,
--Dennis C.
Â
Fellow Contributor "L" covered most of the bases quite well, but the only point he didn't underscore is that MOST good video & film production programs at community colleges HAVE the cameras, lights, mikes, tripods, and other gear that the students will learn on & use.
When I went to a local (but nationally prominent) university with a Broadcast/Film Dept., portable video was still fairly new, but all the film cameras, tripods, & light kits were supplied by the Department for students to "check out" as-needed for class projects.
And most video production students start out with Studio Production techniques (where it's easier for groups to learn 3-point lighting, camera setup & tripod/dolly operation, shot composition, audio techniques & mixing, etc.). No need for portable field gear there.
For field production & Electronic News Gathering, a good college will have a fair number of camcorders for students to use & check out (if needed for outside-of-class projects).
The same is true for Editing Software & computer workstations. Some college programs might be economizing and making students supply their own laptops for this, but all the major software companies offer Academic Editions of their normally-expensive edit suites at discounted prices. And of course, nowadays, apps like iMovie (Mac) and Movie Maker (PC) come "free" as part of the operating system and can accomplish what older (and expensive) software used to do, as far as basic editing.
As "L" mentioned, do a bit of "homework" yourself by contacting the community college's department head & instructors for your son's chosen major. Tour the facilities (studio and edit suites) and ask about the "equipment room" for student project gear. See what textbooks (a major expense) are required, and whether computer/laptop & software expense will be part of what's expected of your son. Only if there's little-or-no camcorder gear (or no hands-on studio cameras) would I recommend buying anything like the models from B+H that you listed.
Almost every cable TV & freelance video job I've had over the past 30 years has "supplied" (rented or company-owned) the cameras & grip gear I needed. I bring my own gear only when it's a "favor" or when what I have is better-suited to the task, or they want a "director with gear". My point being, your son doesn't need to own =any= camera gear to make a living freelancing. A good camera operator can stay busy in almost any part of the country, with just his/her skills. (Same for sound mixers & boom/wireless mike operators.)
hope this helps, and hope it saves you some money,
--Dennis C.
Â
What type of Film did video cameras for Hollywood use in the 1970's to make Hollywood movies?
Q. I know that people who made home movies in the 70's used 35mm, 16mm, 8mm any others if you know???
I assume it would have been different and or better than the type of film used for home movie films of the same time???
Can you name the calibers and sizes of professional hollywood movie Video Camera film???
I can find out a lot about home movie making back then but not about what movie studios of hollywood used that is why i am asking.
Also about today's recording media it is probably since we are in the digital age. Are hollywood movie Cameras recording Digitally to a Hard Drive or something like that nowadays???
I figure any type of video tape for recording a hollywood movie has not been used in years because we are in the digital age. So any videos Cameras hollywood uses today is saving to a Hard Drive Digitally is what i figure anyway.
I always wondered to are Video Cameras going back to the 70's to Present Day 2013 what types of power sources did they use like Car Batteries,Power Cords plugged to wall outlets or some other type of battery???
I say Car Batteries and power cords plugged to wall outlets because i figure it would take something pretty heavy duty to run a Video Camera for a Movie and not some lithium ion rechargeable proprietary battery like home video cameras use today in the present day.
I ask these questions because i have always had an interest in Video and Still Cameras. Both of the Consumer Home Category and the Big Leauges where Movies of Hollywood for the Big Screen are made.
I Really do appreciate your helpful answers community.
I assume it would have been different and or better than the type of film used for home movie films of the same time???
Can you name the calibers and sizes of professional hollywood movie Video Camera film???
I can find out a lot about home movie making back then but not about what movie studios of hollywood used that is why i am asking.
Also about today's recording media it is probably since we are in the digital age. Are hollywood movie Cameras recording Digitally to a Hard Drive or something like that nowadays???
I figure any type of video tape for recording a hollywood movie has not been used in years because we are in the digital age. So any videos Cameras hollywood uses today is saving to a Hard Drive Digitally is what i figure anyway.
I always wondered to are Video Cameras going back to the 70's to Present Day 2013 what types of power sources did they use like Car Batteries,Power Cords plugged to wall outlets or some other type of battery???
I say Car Batteries and power cords plugged to wall outlets because i figure it would take something pretty heavy duty to run a Video Camera for a Movie and not some lithium ion rechargeable proprietary battery like home video cameras use today in the present day.
I ask these questions because i have always had an interest in Video and Still Cameras. Both of the Consumer Home Category and the Big Leauges where Movies of Hollywood for the Big Screen are made.
I Really do appreciate your helpful answers community.
A. Hollywood movies since the era of "talkies" have been shot on either 1 inch or 2 inch wide film strips. Known in the trade as "35mm" and "65mm". Silent movies and home movies from the 20s used 16mm or 1/2 inch wide film. then Kodak came out with its 8mm format for home movie use. 8mm is the same identical film as 16mm double perf but only exposed for half the width. the reel is flipped at the end and then the other side is exposed. 8mm is also 16 fps instead of 24 fps used for theatrical movies. thus it consumed a lot less film making it affordable for home use. after exposure, the double shot camera reel was developed, split down the center and spliced together to make a single 3.5 minute reel of 1/4 inch wide film with sprocket holes on one side only. The reels for 8mm film are the same as for 1/4 inch audio tape except they have a feature that prevents them from being mounted backwards on the projector.
when videotape came out with portable cameras for consumer use that pretty much ended the 8mm movie era. Kodak and other camera makers came out with Super8 which was a cartridge film system to try and compete. Compared to 8mm it offered improvements, like sound, higher frame rate (18 fps) slightly larger image size, battery power, and ease of handling, but the public preferred VHS that could be viewed on the TV set instead of requiring a projector and screen.
the majority of Hollywood movies are still shot on 65mm film. the film is often converted to 4k video for the purpose of editing and special effects creation and then regenerated back to film for theatrical use. it has only been very recently that CCD technology has improved to allow 4k video to be imaged directly by a digital camera, so that is the future of movie making as it matches the 4k video editing that has been done in Hollywood since the 1980s.. HDTV is 1k video for comparison.
there is a huge gap in quality between equipment made for the motion picture industry and home use. that is mostly because the big screen requires far more resolution than a TV set.
when videotape came out with portable cameras for consumer use that pretty much ended the 8mm movie era. Kodak and other camera makers came out with Super8 which was a cartridge film system to try and compete. Compared to 8mm it offered improvements, like sound, higher frame rate (18 fps) slightly larger image size, battery power, and ease of handling, but the public preferred VHS that could be viewed on the TV set instead of requiring a projector and screen.
the majority of Hollywood movies are still shot on 65mm film. the film is often converted to 4k video for the purpose of editing and special effects creation and then regenerated back to film for theatrical use. it has only been very recently that CCD technology has improved to allow 4k video to be imaged directly by a digital camera, so that is the future of movie making as it matches the 4k video editing that has been done in Hollywood since the 1980s.. HDTV is 1k video for comparison.
there is a huge gap in quality between equipment made for the motion picture industry and home use. that is mostly because the big screen requires far more resolution than a TV set.
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